Showing 1–12 of 118 results

12 Châhârmezrâbs for Santur

$89.00
Publish Year : 2021 Composed & Performed by Pezhmân Tâheri Including 1CD

A Collection of 101 Pishdarâmads

$69.00
A Collection of 101 Pishdarâmads Compilation and Târ performance by Arshad Tahmâsbi

A Collection of Tasnifs Covered

$89.00
Publish Year : 2021 ISBN : 9790802628793 Arraged by Farâmarz Pâyvar Collected & Transcribed by Râmtin Nazariju

Adjustable Table for Santoor

$169.00
The high-quality adjustable Table for Santoor with the note stand.

Arabic Oud PRO Padouk & Mahogany & Cedar

$850.00
For the lovers of the deep, warm & mellow sound of Arabic Oud. This outstanding oud has many benefits, and it is an absolute bargain for its many advantages. The Oud has a long 1-piece ebony fingerboard, enhancing the durability and ease of play. Together with locally selected Mahogany & Padouk and an AA quality cedar wood – this oud produces the natural Arabic warm sound.

Arabic Oud PRO Purpleheart – Cedar Top

$950.00
This breathtaking oud stands out with its rare Purpleheart wood. Everyone loves it’s deep, warm & mellow sound of the Arabic Oud. This outstanding oud has many benefits, and it is an absolute bargain for its many advantages. The Oud has a long 1-piece ebony fingerboard, enhancing the durability and ease of play. Together with locally selected Walnut and AA quality cedar wood – this oud produces a natural Arabic warm sound.  

Âref, Tasnifs

$34.00
Publish Year : 1996 ISBN : 979802604599 Compiled by Arshad Tahmâsbi

Baglama Metodu (V1&2)

$99.00
"Bağlama, with its different names, types, and derivatives, has shown multiple developments in Anatolia, with its feature of being performed both with and without taupe in a wide geography stretching from Asia to Europe. In addition to this multiple developments in performance styles, it is called "order". The fact that it contains different tuning forms, which is called the so-called, has given this instrument a different identity. This originality of baglama, which was shaped within the traditional music culture of Anatolia, has been transferred to the present day, especially with the master-apprentice training in its elegant music; In time, with the urbanization process, it has also taken its place in the field of academic education. However, the thought that the multi-development feature of baglama could not be adequately reflected in the field of academic education led us to prepare such a method. In this context, the studies that we continued with individual efforts in different periods were combined since 2000 and turned into the act of writing "Bağlama Method". The idea that the elements constituting the originality of baglama should be preserved has also been the basic principle of this unity. However, it should be noted here that it is impossible to present all the originality of this instrument in a comprehensive book. As a matter of fact, besides the different performance styles in baglama, the existence of many order practices and the fact that these orders are performed with a separate instrument logic supports this idea.