UDU (Kuzeh) Small – UDS1
- Weight: 1.5 kg
- Width: 31 cm
- Diameter: 23.5 cm
- Material: Ceramic
- Hard-case included
- Free International Shipping
Free Shipping
For all orders around the world
UDU (Kuzeh) Small – UDS1
$140.00
Kuzeh (Iran)
In Baluchestan, two Kuzehs are played with a metal platter. This combination, the oldest idiophone instrument in Baluchestan, is known as Kuzak & Tal. The Kuzeh is never played separately. Rather, it is always accompanied by a platter. The player can change the pitch by adding water into these clay pots.
The Kuzeh of Kerman is Spindle-like with no handhold. They are made in small & large sizes to accompany folk songs. Because of the uneven bottom, the player uses special holders or holds it by hands or legs.
Since time immemorial, the white clay pot has been common in Hormozgan province. Called Jahleh, this pot is completely round & spherical. To play Jahleh, one palm vertically beats on the throat while the other hand strikes on the body. The sound of the throat is thick while the sound of the body is relatively dry. The combination of these two sounds is marvelous. Jahlehs are played singly or together by a group, though each player never uses
more than one Jahleh at a time. No water is added into Jahleh as there is no need to change the pitch.
Along with Kuzeh-makers in many different countries, Iranian craftsmen have also begun, in recent years, to manufacture their own as a novel experience. Undoubtedly, the Kuzeh, as a musical instrument with its particular features & capabilities is still far from known to many musicians in the country. Our objective, therefore, is to introduce & popularize it as widely as possible by producing a greater variety of pots with higher musical quality & offering them to those interested in pots, the percussionists in particular.
Description
Shipping & Delivery
WHY SHOPPING FROM US?
- FREE SHIPPING on All Products.
- Our 100% Satisfaction Guarantee.
- All instruments and books are recommended by our instructors.
TERMS
FREE SHIPPING: Orders will take 20-30 business days to be delivered.
EXPRESS SHIPPING: 5-7 days / $49
Unfortunately, we are not able to cancel or modify orders once submitted. The following items can't be returned or exchanged Because of the nature of these items unless they arrive damaged or defective, We can't accept returns for:
-Custom or personalized orders
-Perishable products Digital downloads
-Intimate items Conditions of return
-Buyers are responsible for return shipping costs. If the item is not returned in its original condition, the buyer is responsible for any loss in value.
Related products
Professional Tanbour by Asadollah Gahvareh
It is a Tanbour or Tamboor that has long handles and pear-shaped bowls and is usually made of mulberry wood. Its bowl is in two forms, one-piece (bowl) which has been used for a long time and several pieces that have been made in imitation of Setar bowl in recent decades. The length of this instrument is between 70 to 80 cm and it has three strings, one Wakhan and two main strings. In ancient times, according to Farabi, one or two main strings were used, which is now common in the form of three strings. This instrument has fourteen frets (hands) and no quarter frets.
The Tanboor is one of the oldest instruments in Iran that has a mystical and Maqami aspect, meaning that it is the first instrument to have long handles with bowls and chords. This has been mentioned in many books and treatises. Grove's dictionary, which is in the field of composition, dates the instrument to five to six thousand years, and the stone sculptures in museums and archeological remains in Susa and the hills of Bani Yunus near the city of Mosul date back to 1500 to 2000 BC. it shows.
Persian Kamancheh by Changi
A beautifully hand-crafted wooden Kamanncheh for serious students and professionals. It will accommodate your most promising protege as well as the advancing musician to grow in both sound production and technical facility. It includes 4 strings and natural skin, as well as an adjustable bridge. The body and neck are made of walnut wood and the bowl is made of mulberry wood. The back of the instrument has designed with a symbol of "Shamseh". The bow (archer) is from high-quality white horsehair. This instrument contains a great selection of woods and wonderful craftsmanship. There are multiple tuning options for this instrument. Accessories and a Hardcase are included.
UDU (Kuzeh) Large – UDL1
Kuzeh (Iran)
In Baluchestan, two Kuzehs are played with a metal platter. This combination, the oldest idiophone instrument in Baluchestan, is known as Kuzak & Tal. The Kuzeh is never played separately. Rather, it is always accompanied by a platter. The player can change the pitch by adding water into these clay pots.
The Kuzeh of Kerman is Spindle-like with no handhold. They are made in small & large sizes to accompany folk songs. Because of the uneven bottom, the player uses special holders or holds it by hands or legs.
Since time immemorial, the white clay pot has been common in Hormozgan province. Called Jahleh, this pot is completely round & spherical. To play Jahleh, one palm vertically beats on the throat while the other hand strikes on the body. The sound of the throat is thick while the sound of the body is relatively dry. The combination of these two sounds is marvelous. Jahlehs are played singly or together by a group, though each player never uses
more than one Jahleh at a time. No water is added into Jahleh as there is no need to change the pitch.
Along with Kuzeh-makers in many different countries, Iranian craftsmen have also begun, in recent years, to manufacture their own as a novel experience. Undoubtedly, the Kuzeh, as a musical instrument with its particular features & capabilities is still far from known to many musicians in the country. Our objective, therefore, is to introduce & popularize it as widely as possible by producing a greater variety of pots with higher musical quality & offering them to those interested in pots, the percussionists in particular.
UDU (Kuzeh) Medium – Utar
Kuzeh (Iran)
In Baluchestan, two Kuzehs are played with a metal platter. This combination, the oldest idiophone instrument in Baluchestan, is known as Kuzak & Tal. The Kuzeh is never played separately. Rather, it is always accompanied by a platter. The player can change the pitch by adding water into these clay pots.
The Kuzeh of Kerman is Spindle-like with no handhold. They are made in small & large sizes to accompany folk songs. Because of the uneven bottom, the player uses special holders or holds it by hands or legs.
Since time immemorial, the white clay pot has been common in Hormozgan province. Called Jahleh, this pot is completely round & spherical. To play Jahleh, one palm vertically beats on the throat while the other hand strikes on the body. The sound of the throat is thick while the sound of the body is relatively dry. The combination of these two sounds is marvelous. Jahlehs are played singly or together by a group, though each player never uses
more than one Jahleh at a time. No water is added into Jahleh as there is no need to change the pitch.
Along with Kuzeh-makers in many different countries, Iranian craftsmen have also begun, in recent years, to manufacture their own as a novel experience. Undoubtedly, the Kuzeh, as a musical instrument with its particular features & capabilities is still far from known to many musicians in the country. Our objective, therefore, is to introduce & popularize it as widely as possible by producing a greater variety of pots with higher musical quality & offering them to those interested in pots, the percussionists in particular.
Reviews
There are no reviews yet.