Showing all 7 results

Golnush, Forty Pieces for Qânun


Including 2 CDs, 

Forty pieces for the Kanun instrument made by Simin Agharzi in the instruments and songs of Chahargah, Shoor, Dashti, Bayat Turk, Mahour, Sehgah, Bayat Isfahan, and Shoushtari, including Golnoosh, Parvaneh Dance, Forough Izadi, Hojran, Parishan, Bamdadan, and Parnian, which Compiled, edited and written by Parichehr Khajeh. This collection has been recorded and performed in the form of two CDs separately by Parichehr Khajeh with the Kanun.

Mezrâb, Qânun Exercises by Parichehr Khâje (Vol.1)


Including 1 CD, 

About this work, we read by Parichehr Khajeh: "Playing any instrument correctly and fluently, in addition to continuous practice, requires knowledge of the technique and techniques of playing that instrument, and paying attention to the details and subtleties seems necessary and inevitable. There has long been a lack of reference and books to meet the needs of musicians and Qanun students. The present book, which is the result of years of unremitting and continuous efforts and research of the author, and all its contents and content are invented and made by the minds and experiences of this side in this matter, is a response to this need. For this purpose, from the exercises that I have composed over the years in order to improve and strengthen the playing ability of Kanun students, I have selected thirty exercises and named these pieces according to their sensory states in order to remember them better. Um and a collection was provided that the book is ahead. It is noteworthy that the contents of this book, which is recommended for high school students (students who have learned basic playing skills well), do not have much adaptation to instrumental workers, and what is most intended is only to use "The rules are right and raising the level of playing technique."

Remembrance ,63 Pieces for Qânun (Book 1&2)


Including 2 CDs, 

About this book, we read by Parichehr Khajeh: "Since the beginning of my study of music and artistic activities, I have always and to a great extent tried to improve the capabilities and position of the Qanun in Iranian instrumental music. The following collection is the result of several years of effort. The selected parts of this book, especially their arrangement and editing, are very much in line with the Kanun in terms of training and technique. "I hope that the students and musicians of this instrument while getting acquainted with the content of the valuable works of instrumental music masters, will increase their abilities and the quality of their playing by accurately performing these pieces. It should be noted that most of the selected pieces in this collection are composed by great and influential composers in the field of music in this land, in addition, most of these works are in the repertoire of instrumental music and have not been heard with the instrument of Qanun. In addition, these pieces are very important in terms of the variety of tunes and the wide variety of reversals, and have a significant impact on students' ability to play, especially to strengthen their left hand. Also, plain training parts, Samani. "Camel Bell" (Zangeh Shotor) is one of the works of Master Abolhassan Saba, arranged, written, and performed with two approaches to different strokes and speeds."  

Tarâne, Forty Pieces for Qânun


Including 2 CDs, 

The book contains forty pieces composed by Simin Agharzi, which he improvised in the classroom and taught to his students. This book, like the first book (Golnoosh), has been compiled, arranged, and performed by Ms. Parichehr Khajeh. Parichehr Khajeh, while enjoying the teachings of Professor Simin Agharzi, has benefited from the teachings of professors such as Hossein Dehlavi, Mohammad Ismaili, Farhad Fakhreddini, Houshang Zarif, Houshang Kamkar, Kambiz Roshanrouvan, Hossein Alizadeh, Ahmad Pejman. At the same time, Master Simin Agharzi, using the teachings of Mahmoud Zolfanoun, learned the violin completely from Master Abolhassan Saba. He learned piano from Javad Maroufi, Qanun from Master Mehdi Moftah, singing from Master Gholam Hossein Banan, and tombak from Master Hossein Tehrani. In addition to the instruments mentioned, he was also fully acquainted with playing the Robab, Barbat, Qeychak, and Kamancheh. It should be noted that in this book, he composed the pieces "Bidad", "Karvan" and "Vesal" in memory of Morteza Ney Davud, Abolhassan Saba and Mehdi Moftah.

The Qânun Course, by Malihe Saeidi (Vol. I,II,III)


Including 3 Books and 6 CDs, 

About this work, written by Maliheh Saeedi: The sensitive conditions of music art and Qanun enforcement facilities in the field of Iranian structures made me publish the following magazines of the book Qanun Tutorial Representation on it. The first volume of this book was published with the opinion and cooperation of Professor Hossein Dehlavi in ​​November 1990 and then in 1397 with a new edition by Mahour Publications and includes various pieces and exercises as well as the historical background of this instrument. The second volume was published in 2010 in order to upgrade and improve the technical capabilities of the musician along with various exercises and pieces based on the need for different technical items, and now it has been reprinted with a new edition with an executive CD. Simultaneously with the teaching of this book, the teaching of Iranian music begins, and gradually, in addition to learning the music, students acquire the necessary skills for different chords in groups or orchestras, and the possibility of getting acquainted with different and opposite movements for both. The present book, while being educationally useful for students, acquaints them with the techniques and facilities of this instrument.